I create works that oscillate between the mechanical and the human.

Assembly and disassembly lie at the core of my process: each form becomes a component of a system, an interchangeable part of an ever shifting whole.

Nothing is generated by machines — everything is painted by hand, in deliberate contrast to the appearance of something mass-produced.

While my pop-inspired series evoke the noise of a society saturated with images and products, my more minimal works stem from a need for silence, simplicity, and a return to the essential.

I don't aim to settle into a style, but to follow an inner movement.

For me, art is a path — free, evolving, and vital.