When I paint, I only use black and white, but I definitely vary the styles. Rather than ideas, I want to express and share sensations, which is why I avoid sticking to one movement in particular.
I try to deliver the whole variety of my universe, which is why my artwork is so diversified, heteroclite: some of my paintings are complexes and detailed, meanwhile others are more minimalist, purified.
Of course, there are common features to my canvas, which makes them identifiable, but these are merely an outline: from there, I just ramble from a nuance to another in order to express everything I like. In any creative process, it’s important to have a mark, a signature. But it shouldn’t hinder nor slower creativity, at the risk of confining the creative process within a single, narrow framework: I like a lot of things, and I want to transmit that variety through my own vision and creative approach. That’s my signature.
I’m not part of any specific movement, but my own.
I try to deliver the whole variety of my universe, which is why my artwork is so diversified, heteroclite: some of my paintings are complexes and detailed, meanwhile others are more minimalist, purified.
Of course, there are common features to my canvas, which makes them identifiable, but these are merely an outline: from there, I just ramble from a nuance to another in order to express everything I like. In any creative process, it’s important to have a mark, a signature. But it shouldn’t hinder nor slower creativity, at the risk of confining the creative process within a single, narrow framework: I like a lot of things, and I want to transmit that variety through my own vision and creative approach. That’s my signature.
I’m not part of any specific movement, but my own.