When I paint, I only use black and white, but I definitely vary the styles. Rather than ideas, I want to express and share sensations, which is why I avoid sticking to one movement in particular.
I try to deliver the whole variety of my universe, which is why my artwork is so diversified, heteroclite: some of my paintings are complexes and detailed, meanwhile others are more minimalist, purified.
Of course, there are common features to my canvas, which makes them identifiable, but these are merely an outline: from there, I just ramble from a nuance to another in order to express everything I like. In any creative process, it’s important to have a mark, a signature. But it shouldn’t hinder nor slower creativity, at the risk of confining the creative process within a single, narrow framework: I like a lot of things, and I want to transmit that variety through my own vision and creative approach. That’s my signature.
I’m not part of any specific movement, but my own.
«僕に空っぽの美術館をください、僕の絵でいっぱいにしますから»»
Geoffrey Bouillotは日本を拠点とするアーティストであり、その絵画は全国のいくつかの個展やグループ展で紹介されています。 アーティストの役割は、時には取るに足らない瞬間を捉え、昇華してその深い価値を引き出し、その精神を翻訳するためにあると彼は信じています。 ブヨの独特の静物画や肖像画には、錬金術に関連するシンボルや、古代文明に触発されたパターン、歴史や思想も染み込んでいます。
I try to deliver the whole variety of my universe, which is why my artwork is so diversified, heteroclite: some of my paintings are complexes and detailed, meanwhile others are more minimalist, purified.
Of course, there are common features to my canvas, which makes them identifiable, but these are merely an outline: from there, I just ramble from a nuance to another in order to express everything I like. In any creative process, it’s important to have a mark, a signature. But it shouldn’t hinder nor slower creativity, at the risk of confining the creative process within a single, narrow framework: I like a lot of things, and I want to transmit that variety through my own vision and creative approach. That’s my signature.
I’m not part of any specific movement, but my own.
«僕に空っぽの美術館をください、僕の絵でいっぱいにしますから»»
Geoffrey Bouillotは日本を拠点とするアーティストであり、その絵画は全国のいくつかの個展やグループ展で紹介されています。 アーティストの役割は、時には取るに足らない瞬間を捉え、昇華してその深い価値を引き出し、その精神を翻訳するためにあると彼は信じています。 ブヨの独特の静物画や肖像画には、錬金術に関連するシンボルや、古代文明に触発されたパターン、歴史や思想も染み込んでいます。